Reels, social video and photography shot on site, then cut into a month of posts and ad creative. Yours to use commercially.
Businesses in central London mostly fall into two camps: the ones posting shaky clips filmed between customers, and the ones paying for a library image that four competitors are also using. Neither looks like you. A single properly planned day on site produces weeks of material that does — and because it was shot to a plan, it arrives already cut for the places it needs to go.
One day on site. Everything below, to one standard.
Planned around the opening seconds, then cut for reels, stories and shorts rather than one file reposted everywhere.
Shot with the campaign already in mind, so the footage works as media and not just as a showreel.
Interiors, product, detail and atmosphere — the images the website and the ads both draw on.
Directed properly, including for people who would rather not be photographed.
Your space, your frontage, the area around it. The things that make you identifiably you.
Every frame yours to use commercially, and the library goes with you.
We agree the shot list and, more usefully, what each shot becomes afterwards — which post, which advert, which page of the site.
Crew, cameras and lighting arrive and work around your trading hours. You carry on running the business.
Edits come back cut to each platform’s format, ready to post and ready to run as advert creative.
Our own team, our own kit, on location. Never stock and never generated.
Shots are chosen for where they are going to run, which is why the material keeps working after the first week.
Content that looks like your business on its best day, rather than somebody else’s.
The same dedicated team from the planning call through to the edits.
Every frame is yours commercially, across advertising, social and your website.
The same team can run the Google and Meta campaigns the footage goes into, and report on them weekly.
A site designed, built and hosted around the imagery, rather than one that has to make do with it.
Browse the photo and video we shoot, read the wider content creation service, or see how we work.
At your premises, on the street outside, at an event, or in a studio if the look calls for it. Mayfair, the wider W1 and central London are straightforward for a crew to reach, and we shoot across the UK as well.
It depends on the shot list, and we agree that before anyone turns up. Most of the planning happens in advance precisely so the day itself is efficient and works around your trading hours rather than through them.
No. Plenty of shoots are premises, product, detail and atmosphere with nobody speaking to the lens. If you do want people on camera, we direct it, and we are used to working with people who would rather not be.
Vertical video cut for reels, stories and shorts, horizontal cuts where they are needed, and stills for the website, advertising and social. Everything sized per platform rather than one file reposted everywhere.
Yes. Everything we shoot is yours to use commercially across advertising, social and your website, and if you ever stop working with us the library goes with you and keeps earning.
Yes, and that is where a shoot pays for itself. On Meta the creative now effectively does the targeting, so content planned around a campaign performs differently to content planned only to look good.
Advert creative wears out, so a rhythm beats a one-off. What that rhythm looks like depends on how hard you are running the ads, and we would rather set it after seeing your numbers than guess at it now.
Actually filmed, by our own team, with our own kit. That is the whole point of the service.
Book a short, no-pressure call. Tell us what you need to show, and we will plan a day that produces it.
One day on site, a month of content, and every frame yours to keep.